Monday, February 9, 2015

MIXTAPE MONDAY: all covered up


all covered up
it's fucking freezing. cover up.


hold on, we're going home by the arctic monkeys // blank space // style by louisa wendorf (feat. devin dawson) // who you are by ed sheeran // i miss you by 5 seconds of summer //  every little thing she does is magic by sleeping at last // can't help falling in love by ingrid michaelson // no diggity // thrift shop by ed sheeran (feat. passenger) // your song by ellie goulding // say my name // cry me a river by the neighbourhood // we can't stop by bastille // problem by hozier // best song ever by gabrielle aplin // what makes you beautiful by the 1975 // girls just wanna have fun by george ezra // don't tell 'em by lorde // magic // adore you by louisa wendorff (feat. devin dawson) // chocolate by nina nesbitt //  don't stop by meghan trainor // take me to church by ed sheeran // riptide by vance joy

xx. Sheridan



Monday, February 2, 2015

MIXTAPE MONDAY: The World is Ending and I'm Going to Run with You

the world is ending and i'm going to run with you
The songs that would play as the credits rolled and the characters ran//

+listen

high by young rising sons // running with the boys by lights // born to run by bruce springsteen // the kids aren't alright by fall out boy // heroes by david bowie // the only hope for me is you by my chemical romance // far too young to die by panic! at the disco // long live by taylor swift // closer to the edge by thirty seconds to mars

//Angelia//

Monday, January 26, 2015

MIXTAPE MONDAY: to be young


to be young
here's to my last year as a teenager

+listen

tongue tied by grouplove // ribs by lorde // knock knock by mac miller // shut up and dance by walk the moon // unkinder (a tougher love song) by thumpers // end up here by 5 seconds of summer // little secrets by passion pit // ready to run by one direction // friends by ed sheeran // first time by vance joy // out of the woods by taylor swift // tee shirt by birdy // long way home by 5 seconds of summer // the love club by lorde // midnight memories by one direction

xx. Sheridan

Monday, January 19, 2015

REVIEW: American Beauty/American Psycho//Fall Out Boy - You Can Never Kill the Revolution

4/5 stars

Waves to Watch: The Kids Aren't Alright, Novocaine, Uma Thurman

Genre: Pop rock
Goes great with: Panic! at the Disco, New Politics, You Me at Six

On their last LP, Fall Out Boy left listeners with a single thought: "I only plugged in to Save Rock & Roll", and perhaps on their latest release, American Beauty/American Psycho, the four pop-rock kings are doing just that. AB/AP is noisy and filled with what bassist/lyricist Pete Wentz calls "frenetic energy".  So, yes, Fall Out Boy can still work a miracle, even ten years out from their first major label release.

Now, Wentz is back to writing close to all of the lyrics, unlike Save Rock & Roll, in which he first shared the role with vocalist/guitarist/composing mastermind Patrick Stump. Even as FOB continue to shave off more and more guitar, Wentz refuses to dilute his sometimes obscure, but distinguished lyrics. As with any release, the audience finds themselves asking, "What the hell is he talking about?!" until an epiphany is reached, sometimes years later.

The album opens up with the fanfare, "Irresistible", a song meant for breezy summer days in a hot car, admitting what's sure to be one of the most memorable lines; "You look so Seattle, but you feel so LA." The song's title track and second single, a dirty 80's punk track, driven by drummer Andy Hurley, is thrown from left field, considering the sound that the foursome has been creating lately. With both songs, the bridge is the strongest part, providing an anthemic beat to hustle to.


"Centuries", the band's Top 40 lead single and stadium favorite, borrows from Suzanne Vega's 80's track, "Tom's Diner". FOB reminds the masses that they are legends of immortality, perhaps in a slightly tongue in cheek manner. However, in their gladiator-inspired video, it seems that they are still taking their turn beating Goliath. Their Big Hero 6 track, "Immortals", reiterates the theme of forever, burning like a song beating through the streets of Tokyo.

At times, the lyrics are lackadaisical, heralding the repeated phrases as just fillers, as in "Favorite Record", an easily forgettable cliché "your love is my favorite song" declaration. "Fourth of July" is the other track that fails to stick anywhere in the brain, as Stump sings, "You are my best I'll never know." The sonic emptiness is poignant, however, and even the few lows make the highs seem even higher.

"The Kids Aren't Alright" is a turn to mortality, an acceptance of the bittersweet end; it is a classic Wentz effort delivered by Stump's maudlin vocals, crooning, "And in the end/I'd do it all again/I think you're my best friend." Even as they venture through their experimental phase, the foursome are saying, "This thing may end, but it's going to be okay."

Perhaps the three strongest tracks, "Uma Thurman", "Jet Pack Blues", and "Novocaine". are also the smartest. The latter, a sort of fraternal twin to SR&R's "The Phoenix" is the grittiest of the album, declaring, "I am your worst nightmare." "Uma Thurman", while borrowing The Munsters' theme and The Beach Boys' panache, admits, "I can't get you out of my head," as the listener can't control their twisting feet. "Jet Pack Blues" is the moodiest track on the album, and a flawless example of Stump's seasoned phrasing. 

This is not the Stump that hunched below the brim of his hat, refusing to lift himself from the shadows of Wentz. This is the Stump that can soulfully power his way through anything he throws at himself, while still managing to swing his hips from side to side. For this is the greatest Fall Out Boy transformation: Stump believes in himself.

The album's closer, "Twin Skeletons (Hotel in NYC)", is a darker, vaudevillian Folie à Deux/Save Rock and Roll hybrid. While it is not the strongest closing statement FOB has ever given, it offers a slight glimpse into the future, humming, "hold on."

So what will the future bring for the mighty lifers of the scene? In the near future, they will be embarking on a co-headlining Boys of Zummer Tour with Wiz Khalifa ("We Dem Boyz", "Work Hard, Play Hard"), with Hoodie Allen (People Keep Talking) as the opener. As for the long-term, maybe Stump, Wentz, Hurley, and Trohman are not sure what they'll burn next. But knowing them, they've got a few plans printed into the dirt road that they walk upon. And they're staying until the end.


American Beauty/American Psycho will be released January 20th on Island/DCD2 Records


//Angelia//



Monday, January 12, 2015

MIXTAPE MONDAY: 2 Cool 4 School

2 cool 4 school
because it is the first day of spring semester today//

+listen

smells like teen spirit by nirvana // weightless by all time low // another brick in the wall by pink floyd // right back at it again by a day to remember // loser by beck // sophomore slump or comeback of the year by fall out boy // new perspective by panic! at the disco // why worry by set it off // campus by vampire weekend // the middle by jimmy eat world // teenagers by my chemical romance

//Angelia//

Wednesday, January 7, 2015

Can Music Save Your Mortal Soul?

"Music saves lives."

Fans are constantly offering their sentiments to bands and artists about how a song, album, or ideology of the musicians is the reason that they are still on this earth today. But is that the way it is, or, in turn, the way it actually should be?

It is nearly impossible to argue against the fact that music plays one of the most important roles in our lives; it is in our brains and our blood. Music is one of the few things that is universal, in that it shares experiences, emotions, ideas in all forms possible. It is our sadness, our anger, our joy, our loneliness, our adoration, and our inspiration. We feel it pounding, moving along with our own courses. But can it be considered our life support?

Pierce the Veil show//2012

"Now I want to see you raise your hand
if music has ever saved your life"

There's been a constant discussion among musicians, maybe to the dismay of fans, about whether their music has the capability to save lives. Can a few chord progressions and words strung together really keep someone on this planet? Can listening to a song stop someone on the brink of suicide?

Kennedy, 18, thinks this possible, thanking a twenty one pilots' song for triggering something in her mind and telling her that change will come if we search for it. "I was lying on the bathroom floor ready to die, but that song came on, and I stopped everything. The world stopped as well. I knew in that moment that killing myself was and never had been the right decision. That song saved my life."

But others, on another hand, have decided, through similar first-hand experiences that a song or a band cannot save your life, and that sentiment carries too heavy a burden. Bryn, 19, agrees that "music is a great reason to want to live, and to feel alive," yet "to put all that power, your whole life, in the hands of someone who most likely doesn't know you is really just offensive."

When an artist releases material out into the world, the art is no longer theirs. Yes, it is still their sacred creation, but now that they have shared it, it becomes the audience's. Now, whatever the music does to and for the listener must be one hundred percent due to the artist, right? Probably not. Art, in its rawest form, is built upon interpretation.

Frank Iero (ex-My Chemical Romance, Frank Iero + The Cellabration) discussed the different meanings a song can take for each fan, furthermore, each member of the band.

Iero goes on to say, "I can never express the gravity of the statement" [on the topic of his band saving lives]. "I feel like [the fans] are not giving themselves enough credit. Maybe we've been there as a soundtrack, but the fans are the ones who've actually saved their own lives." He argues that music instills the strength in the individual to save their own life. As Bryn puts it, music is the "catalyst".

Perhaps, it all depends on who you are, where you have been, and what you have gone through when discussing whether or not music has saved your life. Bryn goes on to add, "I can never know how other people feel about [this idea]. If they really believe music saved their life, then maybe it did."

This feeling cannot be taught; it must be purely a belief. This arguments raises music as a religion, some live with it, but it will never be the reason they're alive. So if a fifteen year old girl in an Of Mice and Men shirt says that the band saved her life, maybe we should all just believe her.

//Angelia//

(Frank Iero interview: The Grammy Museum//1.26.11)

Tuesday, January 6, 2015

MIXTAPE MONDAY (on a Tuesday): breakups suck


breakups suck
for when you're feeling heartbroken, angry, ready to move on, and everything in between

+listen

rolling in the deep by adele // u.n.i. by ed sheeran // irreplaceable by beyoncé // ain't no sunshine by bill withers // total eclipse of the heart by bonnie tyler // before he cheats by carrie underwood // fuck you by cee lo green // survivor by destiny's child // don't by ed sheeran // thinking about you by frank ocean // cry me a river by justin timberlake // 7 things by miley cyrus // you could be happy by snow patrol // single ladies (put a ring on it by beyoncé // we are never getting back together by taylor swift // gives you hell by the all american rejects // done. by the band perry // linger by the cranberries // burn by usher // i will always love you by whitney houston // without you by lana del rey // you oughta know by alanis morisette // someone like you by adele

xx. Sheridan