Monday, January 26, 2015

MIXTAPE MONDAY: to be young


to be young
here's to my last year as a teenager

+listen

tongue tied by grouplove // ribs by lorde // knock knock by mac miller // shut up and dance by walk the moon // unkinder (a tougher love song) by thumpers // end up here by 5 seconds of summer // little secrets by passion pit // ready to run by one direction // friends by ed sheeran // first time by vance joy // out of the woods by taylor swift // tee shirt by birdy // long way home by 5 seconds of summer // the love club by lorde // midnight memories by one direction

xx. Sheridan

Monday, January 19, 2015

REVIEW: American Beauty/American Psycho//Fall Out Boy - You Can Never Kill the Revolution

4/5 stars

Waves to Watch: The Kids Aren't Alright, Novocaine, Uma Thurman

Genre: Pop rock
Goes great with: Panic! at the Disco, New Politics, You Me at Six

On their last LP, Fall Out Boy left listeners with a single thought: "I only plugged in to Save Rock & Roll", and perhaps on their latest release, American Beauty/American Psycho, the four pop-rock kings are doing just that. AB/AP is noisy and filled with what bassist/lyricist Pete Wentz calls "frenetic energy".  So, yes, Fall Out Boy can still work a miracle, even ten years out from their first major label release.

Now, Wentz is back to writing close to all of the lyrics, unlike Save Rock & Roll, in which he first shared the role with vocalist/guitarist/composing mastermind Patrick Stump. Even as FOB continue to shave off more and more guitar, Wentz refuses to dilute his sometimes obscure, but distinguished lyrics. As with any release, the audience finds themselves asking, "What the hell is he talking about?!" until an epiphany is reached, sometimes years later.

The album opens up with the fanfare, "Irresistible", a song meant for breezy summer days in a hot car, admitting what's sure to be one of the most memorable lines; "You look so Seattle, but you feel so LA." The song's title track and second single, a dirty 80's punk track, driven by drummer Andy Hurley, is thrown from left field, considering the sound that the foursome has been creating lately. With both songs, the bridge is the strongest part, providing an anthemic beat to hustle to.


"Centuries", the band's Top 40 lead single and stadium favorite, borrows from Suzanne Vega's 80's track, "Tom's Diner". FOB reminds the masses that they are legends of immortality, perhaps in a slightly tongue in cheek manner. However, in their gladiator-inspired video, it seems that they are still taking their turn beating Goliath. Their Big Hero 6 track, "Immortals", reiterates the theme of forever, burning like a song beating through the streets of Tokyo.

At times, the lyrics are lackadaisical, heralding the repeated phrases as just fillers, as in "Favorite Record", an easily forgettable cliché "your love is my favorite song" declaration. "Fourth of July" is the other track that fails to stick anywhere in the brain, as Stump sings, "You are my best I'll never know." The sonic emptiness is poignant, however, and even the few lows make the highs seem even higher.

"The Kids Aren't Alright" is a turn to mortality, an acceptance of the bittersweet end; it is a classic Wentz effort delivered by Stump's maudlin vocals, crooning, "And in the end/I'd do it all again/I think you're my best friend." Even as they venture through their experimental phase, the foursome are saying, "This thing may end, but it's going to be okay."

Perhaps the three strongest tracks, "Uma Thurman", "Jet Pack Blues", and "Novocaine". are also the smartest. The latter, a sort of fraternal twin to SR&R's "The Phoenix" is the grittiest of the album, declaring, "I am your worst nightmare." "Uma Thurman", while borrowing The Munsters' theme and The Beach Boys' panache, admits, "I can't get you out of my head," as the listener can't control their twisting feet. "Jet Pack Blues" is the moodiest track on the album, and a flawless example of Stump's seasoned phrasing. 

This is not the Stump that hunched below the brim of his hat, refusing to lift himself from the shadows of Wentz. This is the Stump that can soulfully power his way through anything he throws at himself, while still managing to swing his hips from side to side. For this is the greatest Fall Out Boy transformation: Stump believes in himself.

The album's closer, "Twin Skeletons (Hotel in NYC)", is a darker, vaudevillian Folie à Deux/Save Rock and Roll hybrid. While it is not the strongest closing statement FOB has ever given, it offers a slight glimpse into the future, humming, "hold on."

So what will the future bring for the mighty lifers of the scene? In the near future, they will be embarking on a co-headlining Boys of Zummer Tour with Wiz Khalifa ("We Dem Boyz", "Work Hard, Play Hard"), with Hoodie Allen (People Keep Talking) as the opener. As for the long-term, maybe Stump, Wentz, Hurley, and Trohman are not sure what they'll burn next. But knowing them, they've got a few plans printed into the dirt road that they walk upon. And they're staying until the end.


American Beauty/American Psycho will be released January 20th on Island/DCD2 Records


//Angelia//



Monday, January 12, 2015

MIXTAPE MONDAY: 2 Cool 4 School

2 cool 4 school
because it is the first day of spring semester today//

+listen

smells like teen spirit by nirvana // weightless by all time low // another brick in the wall by pink floyd // right back at it again by a day to remember // loser by beck // sophomore slump or comeback of the year by fall out boy // new perspective by panic! at the disco // why worry by set it off // campus by vampire weekend // the middle by jimmy eat world // teenagers by my chemical romance

//Angelia//

Wednesday, January 7, 2015

Can Music Save Your Mortal Soul?

"Music saves lives."

Fans are constantly offering their sentiments to bands and artists about how a song, album, or ideology of the musicians is the reason that they are still on this earth today. But is that the way it is, or, in turn, the way it actually should be?

It is nearly impossible to argue against the fact that music plays one of the most important roles in our lives; it is in our brains and our blood. Music is one of the few things that is universal, in that it shares experiences, emotions, ideas in all forms possible. It is our sadness, our anger, our joy, our loneliness, our adoration, and our inspiration. We feel it pounding, moving along with our own courses. But can it be considered our life support?

Pierce the Veil show//2012

"Now I want to see you raise your hand
if music has ever saved your life"

There's been a constant discussion among musicians, maybe to the dismay of fans, about whether their music has the capability to save lives. Can a few chord progressions and words strung together really keep someone on this planet? Can listening to a song stop someone on the brink of suicide?

Kennedy, 18, thinks this possible, thanking a twenty one pilots' song for triggering something in her mind and telling her that change will come if we search for it. "I was lying on the bathroom floor ready to die, but that song came on, and I stopped everything. The world stopped as well. I knew in that moment that killing myself was and never had been the right decision. That song saved my life."

But others, on another hand, have decided, through similar first-hand experiences that a song or a band cannot save your life, and that sentiment carries too heavy a burden. Bryn, 19, agrees that "music is a great reason to want to live, and to feel alive," yet "to put all that power, your whole life, in the hands of someone who most likely doesn't know you is really just offensive."

When an artist releases material out into the world, the art is no longer theirs. Yes, it is still their sacred creation, but now that they have shared it, it becomes the audience's. Now, whatever the music does to and for the listener must be one hundred percent due to the artist, right? Probably not. Art, in its rawest form, is built upon interpretation.

Frank Iero (ex-My Chemical Romance, Frank Iero + The Cellabration) discussed the different meanings a song can take for each fan, furthermore, each member of the band.

Iero goes on to say, "I can never express the gravity of the statement" [on the topic of his band saving lives]. "I feel like [the fans] are not giving themselves enough credit. Maybe we've been there as a soundtrack, but the fans are the ones who've actually saved their own lives." He argues that music instills the strength in the individual to save their own life. As Bryn puts it, music is the "catalyst".

Perhaps, it all depends on who you are, where you have been, and what you have gone through when discussing whether or not music has saved your life. Bryn goes on to add, "I can never know how other people feel about [this idea]. If they really believe music saved their life, then maybe it did."

This feeling cannot be taught; it must be purely a belief. This arguments raises music as a religion, some live with it, but it will never be the reason they're alive. So if a fifteen year old girl in an Of Mice and Men shirt says that the band saved her life, maybe we should all just believe her.

//Angelia//

(Frank Iero interview: The Grammy Museum//1.26.11)

Tuesday, January 6, 2015

MIXTAPE MONDAY (on a Tuesday): breakups suck


breakups suck
for when you're feeling heartbroken, angry, ready to move on, and everything in between

+listen

rolling in the deep by adele // u.n.i. by ed sheeran // irreplaceable by beyoncé // ain't no sunshine by bill withers // total eclipse of the heart by bonnie tyler // before he cheats by carrie underwood // fuck you by cee lo green // survivor by destiny's child // don't by ed sheeran // thinking about you by frank ocean // cry me a river by justin timberlake // 7 things by miley cyrus // you could be happy by snow patrol // single ladies (put a ring on it by beyoncé // we are never getting back together by taylor swift // gives you hell by the all american rejects // done. by the band perry // linger by the cranberries // burn by usher // i will always love you by whitney houston // without you by lana del rey // you oughta know by alanis morisette // someone like you by adele

xx. Sheridan

Monday, January 5, 2015

OBSESSED: Louisa Wendorff // Cover Queen

Among the countless New Years Eve and Go Bucks Facebook posts, I ran across a post titled "Duet Sings Two Taylor Swift Songs Simultaneously. The Result Is Seriously Amazing." Seriously amazing, eh? Damn. Was I blown away.

Singer-songwriter Louisa Wendorff, accompanied by fellow musician Devin Dawson, took on two of pop princess Taylor Swift's most recent hits, "Blank Space" and "Style", and combined them to create a mashup of the songs. The result is, dare I say, perfect. So perfect indeed that Swift herself tweeted the video, which now has over eight million views and counting. If you haven't heard it already, it's a must.


Wendorff's voice is pure as gold and sweet as honey. It has the sort of qualities to it that compliment both her acoustic covers, which remind me of songstress Birdy, and her own original songs, which have an Ellie Goulding vibe to them. One of Wendorff's strengths is the arrangements she chooses to pursue in her mashups and covers- they're flawless to the point that if you didn't know the songs being covered, you could mistake it for a single piece. Her cover of Coldplay's "Magic" and Miley Cyrus' "Adore You", again accompanied by Devin Dawson, has the soul and genuine sound that makes it so memorable. (I'd also like to mention that Wendorff and Dawson need to produce an album together because their voices blend effortlessly and it's truly mesmerizing.)


Another favorite of mine is her Riptide // Skinny Love // Ho Hey mashup. Filmed at sunrise by a serene morning lakeside, Wendorff picks at her uke with carefree ease paired with a voice so sweet and so simple. Her arrangement makes me wonder why I hadn't realized how well these songs fit together in the first place.


Needless to say, this girl has got me hooked. I could listen to her on repeat all day. In fact, for the past couple of days I have. I can't help it. I'm excited to see more of Louisa Wendorff and what happens in her future. She's a name you are going to want to remember. Her EP "ARROW" is available now on iTunes, so go do yourself a favor and check it out. You won't be disappointed.

LOUISA:
visit // http://louisawendorff.com/
facebook // https://www.facebook.com/louisaofficial
twitter // https://twitter.com/louisawendorff
instagram // http://instagram.com/louisawendorff


DEVIN:
visit // http://soundcloud.com/devindawsonmusic
twitter // http://twitter.com/zdevin
instagram // http://instagram.com/zdevin
contact // devindawsonmusic@gmail.com



xx. Sheridan

Saturday, January 3, 2015

SPOTLIGHT: Travis Nyland // Local Producer and General Badass


Travis Nyland // EDM Producer
Columbus, Ohio

After picking up EDM production about 6 years ago, Travis Nyland, also known as Travie LeMac, has been making his mark on the Central Ohio EDM scene with his unique tracks and over the top performances. And when I say over the top, I mean over the top. During his performances, he can be spotted across the room clad in metallic gold and standing above the crowd waiting for the drop. If you haven't seen him already, do it and do it soon. This guy is not one to miss. 

the native soundwaves: How did you get involved in producing EDM? Travis Nyland: I had always wanted to be a musician and I found that I could teach myself how to make music off of an abundance of resources online. It was then that I downloaded a copy of Ableton and spent at least 4 hours a day learning all the ins and outs of music production. I really enjoyed it and just decided to keep going with it.

tns: What do you consider yourself? An artist, producer, DJ, something else? TN: While I do consider myself all of these things, I primarily identify as a producer. I generally avoid the title of DJ just because of the negative stigma that comes along with that. I'd rather be known for the music I've created and put time into rather than just for playing other peoples music at parties, despite how much I do enjoy playing shows.

tns: What is your favorite part of producing? 

TN: Honestly my favorite part is kind of spread throughout. I enjoy getting an "AHA" moment and finding a badass sound that compliments the track. Just tinkering and finding out what sounds best or what doesn't sound good at all is amusing and you end up feeling almost like a sculptor or painter. It's a lot of fun just building a track in and off itself.

tns: Do you have any kind of process when you're producing? TN: Honestly, there's no real organized or consistent process. Every track I've made has started out differently and taken a different amount of time. Sometimes I just build on a sound without any real end goal and it evolves into something crazy I would have never anticipated, or it could be having an idea for exactly how a song should sound and I end up spending weeks carefully working on every little detail to accomplish that. It really is unpredictable! tns: Do you have any influences TN: I mean deadmau5 and daft punk were originally my two favorite artists that I really wanted to emulate, but now unless I specifically like the vibe of a song and want to try to figure out how to replicate it, I usually just try to make what I think would sound cool in my head. I guess out of any sort of influences it would be a combo of emancipator and Woolymammoth. I like the chilled out tunes that emacipator brings along with the crazy percussion or synths that wooly dishes out. I guess if you combined those two it would be along the lines of what I'd like to make. 

tns: Top three favorite artists (at the moment)? TN: Right now I'm really into Too Many Zooz. They're a brass house group from NYC that makes acoustic dance music- really intense and interesting stuff right there. Woolymammoth is another favorite and I think Hudson Mohawke is absolutely badass as well! tns: If you could have dinner with anyone, dead or alive, who would it be and why? TN: It would have to be C.S. Lewis. I've really enjoyed his writings and I'd love to get his perspective on alot of things in person. I'm a huge fan of his. For more Travis Nyland, check out his SoundCloud and Instagram, @travie_lemacenstein. He is also available for booking and can be contacted at lemac.production@gmail.com.

xx. Sheridan